To begin employing Stanislavski method, actors generally go over the script very carefully, looking for key identifying factors. An actor must discover what his character wants, what is preventing him from getting it, what means he will use to achieve his goal. These terms are frequently referred to as objective, obstacle and method. He must also determine the given circumstances of every scene, knowing where the scene takes place, what is in the room, and what is going on in the outside world.
Developed in the early 20th century at the Moscow Art Theater, the Stanislavski method of acting is a set of techniques meant to create realistic portrayals of characters. The major goal of Stanislavski method is to have perfect understanding of the motivations and objective of your character in each moment. The technique is most often used for realistic plays, where the goal is to portray an accurate idea of normal life.
To begin employing Stanislavski method, actors generally go over the script very carefully, looking for key identifying factors. An actor must discover what his character wants, what is preventing him from getting it, what means he will use to achieve his goal. These terms are frequently referred to as objective, obstacle and method. He must also determine the given circumstances of every scene, knowing where the scene takes place, what is in the room, and what is going on in the outside world.
0 Comments
Michael Chekhov's unique contribution to acting has been one of the best kept secrets of the theatrical world. Born in 1891, Michael, nephew of Anton Chekhov, became one of Russia's Most Honored Actors. Constantine Stanislavski considered Misha his most brilliant pupil. He is often considered to be the finest actor Russia has ever produced. By 1928, as head of the Second Moscow Art Theater, Chekhov's innovative directing and teaching had provoked such severe criticism by the Communist government, he was forced to flee the country for safety.
There followed ten years of wandering through Europe, with sojourns in Germany, France, Latvia, Lithuania and finally England. There, with the support of Beatrice Straight and the Elmhirst Family, Chekhov established his first acting school in English. The onset of World War II inspired the Elmhirsts to move the school to Ridgefield, Connecticut in 1938. Here and in New York, Chekhov trained numerous actors from the Group Theater and the Actors Studio before moving to Los Angeles in 1942. Michael Chekhov was deeply respected by his peers- Stella Adler, Sanford Meisner, Lee Strasberg, Herbert Berghof, Morris Carnovsky and Harold Clurman. He received an Oscar nomination for Hitchcock's "Spellbound" and spent his last 13 years, acting in films and coaching some of our greatest actors in film history. His student, Deirdre Hurst du Prey transcibed every class from 1936 to 1942. Keep your eyes open for future publications based on these notes. His books "On The Technique of Acting" and "Lessons for the Professional Actor" are recommended for all actors, teachers, writers and directors. Noted actors Jack Nicholson, while receiving his 1999 Golden Globe Award, and Anthony Hopkins, on "Inside the Actors Studio", both acknowledged the power of Michael Chekhov's Psychological Gesture. Today, the Chekhov techniques are gaining world-wide recognition in an amazing expansion of interest as artists seek to discover a consistent means to peak states of performance. Current technology can scientifically support the once considered "too mystical" means of Mr. Chekhov and humanity is now ready to embrace this inspirational, organic means to accessing one's highest artistic aims. Here's What Sandhya Gopinath, Artist, Art Educator
"The Art Therapy Workshop was a well balanced, beautifully organized and an enchanting session that helped me to “be in the present” become introspective and reflective about my feelings. This session gave me the opportunity to open up to strangers with any thought that struck my mind and to keep these thoughts free flowing. It was a session where creativity was nurtured, inhibitions shrunk, opinions encouraged, expressions came pouring in and art as a seed was planted in every individual who attended the workshop." And for some reason, krita doesn't seem to feature, in this otherwise great article. Though Seema Omar, was 'Fantabulous' at this workshop and we sincerely hope to have her here amongst us to share more of her Skills and knowledge. We also thank Palak and Mrs Harsha, the wonderful Principal of the Wonder years Play School, for the beautiful opportunity and effort in making this workshop a huge success.
|
krita
experiential.educational.eventful Archives
June 2011
Categories
All
|